Fans who have followed Boz Scaggs’ remarkable career dating back to the late sixties with the Steve Miller Band; his solo triumphs with such classic albums as Silk Degrees (1976) and Middle Man (1980); and the splendid assurance of late-period high points like Some Change (1994) and Dig (2001), will instantly recognize Scaggs’ characteristically deft touch as a singer. He brings a sly drawl to a funky workout like Li’l Millet and the Creoles’ “Rich Woman,” a conversational intimacy to Bobby Charles’s “Small Town Talk,” and an elegant delicacy to the Impressions’ “I’m So Proud.” He easily negotiates the Latin flavoring of “Last Tango on 16th Street” and “I Want to See You,” both written by San Francisco bluesman (and longtime Scaggs compatriot) Jack Walroth. His soul is effortless and deeply felt, never making a show of itself, but unmistakably evident in every lyric he delivers.
Boz Scaggs website
Boz Scaggs on Facebook
Two notes. That’s all it takes to recognize the voice of Michael McDonald. Distinctive and soulful, it is one of the most yearningly emotive instruments of our times. To this add formidable songwriting and keyboard skills, and you have an artist who has been a singular musical presence for four decades. From ‘70s-era Doobie Brothers classics such as “What A Fool Believes” and solo hits like “I Keep Forgettin’” through two highly-acclaimed Motown albums, genre-busting guest spots and innovative concept shows, the five-time Grammy Award winning McDonald is both timeless and ever-evolving.
Michael McDonald website
Michael McDonald on Facebook